Daniel J. Keys has a philosophy about painting that is refreshingly free of mystique. “As painters, we have to get away from thinking there’s some trick we just haven’t learned yet that’s going to make all the difference,” he told the packed room at his demonstration during the 2026 Plein Air Convention in the Ozarks. “Great painters don’t know anything we don’t know. They’re just more skilled in the fundamentals — and that comes from study and practice.”

It’s a philosophy that, judging by the results, is working.

Daniel J. Keys accepts his award

Keys was awarded the Grand Prize in the 15th Annual PleinAir Salon at the Opening Ceremony of the Plein Air Convention last week — one of the most prestigious art prizes in the world, and the culmination of a yearlong competition that drew entries across 19 categories and every medium. His winning painting, Summertime had already taken first place in the April 2025 monthly Salon before being automatically entered into the annual competition.

April Judge J. Ben Whiteside, owner of The Red Piano Gallery, was unequivocal in his praise. “I have been a fan of his work since I first saw one of his paintings,” he said. “To me, the artist typically presents his florals within their natural environment — usually a detail of flowers in the field as opposed to a vista. I really enjoyed seeing his work in this collection and consider this artist to be one of the best of his generation.”

Daniel gives a painting demonstration at the Plein Air Convention

At his Convention demo, Keys elaborated on the thinking behind work like Summertime with characteristic directness. “I’m not trying to get a pretty brushstroke,” he said. “If I don’t get the shapes, values, and colors right, the painting isn’t going to work.” And when asked about improvement: “To improve my painting, I go back to the fundamentals. Going back is what propels me forward.”

It’s a fitting philosophy to celebrate as the competition itself moves forward — with a significant change.

After 15 years as the PleinAir Salon, the competition is being renamed The Salon Art Prize beginning with the 16th Annual Competition. The name change reflects what the competition has always been in practice: open to painters of every genre and medium, not just plein air. Studio painters, portrait painters, still life painters — all have always been eligible, but the old name left too many of them on the sidelines. The new name finally tells the whole story.

Along with the new name comes an expanded prize purse — growing from $50,000 to $65,000 — and a brand-new $15,000 grand prize specifically for studio painters. Same prestige. Bigger stage. A name that belongs to everyone.

MORE 15th ANNUAL PLEIN AIR SALON WINNERS 

Second Place: “Southside” (acrylic, 30 x 24 in.) by J.M. Brodrick

Third Place: “We always do” (oil, 42 x 33 in.) by Richard Carter

Honorable Mention: “A Fleeting Glimpse” (oil, 16 x 20 in.) by Jen Starling

Honorable Mention: “Off North Ponce” (oil, 20 x 16 in.) by Jason Sacran

Honorable Mention: “A Touch of Lace” (oil, 16 x 20 in.) by Paula Holtzclaw

Watercolor Award: “Life is Learning to Fly” (watercolor, 22 x 30 in.) by Kathleen Giles

Pastel Award: “Master craftsman: Kokeshi” (pastel, 15 x 23 in.) by Alexis Le Borgne

Oil Award: “Soul Surfer” (oil, 12 x 16 in.) by Tim Horn

Drawing Award: “The Parlor” (charcoal, 26 x 34 1/2 in.) by Annie Murphy-Robinson

Gouache Award: “Autumn’s Glow” (gouache, 9 x 16 in.) by Allie Zeyer

Acrylic Award: “3rd & 41st Street Brooklyn NY” (acrylic, 18 x 24 in.) by Joseph Gyurcsak

Fine Art Connoisseur Award: “Refuge” (oil, 20 x 24 in.) by Carson Thompson