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RECENT ARTICLES
LOREM IPSUM DOLOR SIT AMET, CONSECTETUR ADIPISICING ELIT, SED DO EIUSMOD TEMPOR INCIDIDUNT UT LABORE ET DOLORE MAGNA ALIQUA ETS UNSERS.
Do What Scares You Most
By Jill Stefani Wagner https://www.jillwagnerart.com I have a confession to make. For a good part of my life, I was often terrified of new challenges and the possibility of failure. Whether in my advertising career [...]
No Apologies!
Don’t apologize for your work. Because actually, failure is good for you – and you know it! Obviously critiques of your work are, by nature, uncomfortable. You look at everybody else’s paintings, you feel that [...]
Flights of Feeling
The brilliant Romanian sculptor Constantin Brancusi worked over 20 years on a series celebrating the theme of a bird in flight. As we recently noted in a previous piece on wildness in art, he never sculpted [...]
Article Archive
DOLORE MAGNA ALIQUA. UT ENIM AD MINIM VENIAM, QUIS NOSTRUD EXERCITATION ULLAMCO LABORIS NISI UT ALIQUIP.
From Seedy to the Salmagundi
This painting, with its extraordinary history, played a pivotal role in the 21st century renewal of interest in classical realism. If you’ve ever visited the website of the Art Renewal Center (ARC) , a non-profit [...]
Drawing, Talent, Skill Explained
"I can't even draw a straight line." If I’ve heard that once, I’ve heard it 1,000 times. The proper answer, of course, is “You don’t have to!” For that matter, plenty of people who become [...]
Deciphering Caravaggio
By Jeremy Caniglia jeremycaniglia.com Mimesis — the copying of a masterwork — has been a key part of painters’ training since classical antiquity. As musicians must learn basic instrumental techniques before developing their own styles, [...]
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