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RECENT ARTICLES
LOREM IPSUM DOLOR SIT AMET, CONSECTETUR ADIPISICING ELIT, SED DO EIUSMOD TEMPOR INCIDIDUNT UT LABORE ET DOLORE MAGNA ALIQUA ETS UNSERS.
Huge Vapours Brood above the Clifted Shore
Huge vapours brood above the clifted shore, Night o’er the ocean settles, dark and mute, Save where is heard the repercussive roar Of drowsy billows, on the rugged foot Of rocks remote; or still more [...]
Two Saints, One Sinner, and a Beautiful Demoness
A video recently made the rounds with a caption reading: This hidden painting was found recently at The Church of Saint George Maggiore. Commenting on the viral video, the BBC wrote, “In a scene reminiscent of a classic mystery novel, [...]
Could Color Be Your Best Creative Prompt?
There are many ways to start a painting, and some of them double as creative prompts, not just to get the brush moving but to get the imagination revved and running. For Northern Irish pastel [...]
Article Archive
DOLORE MAGNA ALIQUA. UT ENIM AD MINIM VENIAM, QUIS NOSTRUD EXERCITATION ULLAMCO LABORIS NISI UT ALIQUIP.
Painting “The Face You Have Made”
Collection of Women Realists, San Antonio By Allison Malafronte There are a lot of superb contemporary realism portraits being made these days; this article by Allison Malafronte shines light on a gifted, insightful and compassionate [...]
We Grow Accustomed to the Dark
Today we continue our recent Inside Art spotlight on this important American artist, and we begin with a poem by Emily Dickinson. We grow accustomed to the Dark— When Light is put away— As when [...]
Getting Over the Finish Line
In this excerpt from “Beautiful Landscape Painting Outdoors: Mastering Plein Air,” Michael Chesley Johnson explains how to finish a painting, and three tricks to help you decide if it’s complete. Refining and Finishing a Landscape Painting by [...]
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