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RECENT ARTICLES
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Seeds, Cellos, and Guns
“The artist must work so hard, so long, that a brain develops and lives, all of itself, in his fingers …. The artist must not think of critical rewards or money he will get for [...]
Vermeer’s Geographer
In Jan Vermeer’s great painting, The Geographer, of 1662, we have a paradox: a wanderer’s spirit suspended in the confines of an interior. Vermeer is forever painting light coming through windows, but in this painting, [...]
Keeping it Real
Art historians call George Hendrik Breitner (1857-1923) one of the leading "Amsterdam Impressionists." However, his paintings don't align with the kind of artwork we commonly associate with Impressionism. That’s because Breitner and his peers ignored [...]
Hopper’s Poetry of Modern Isolation
“Poetry is a man and a woman and the distance between them.” – Lawrence Ferlinghetti Edward Hopper’s figures have no one talk to. They’re entirely self-absorbed, isolated from each other even when together, and most [...]
On Becoming the Artist You Already Are
There’s an odd distinction some people make between being “someone who paints” and being an artist. Beginners, especially, aren’t sure what to call themselves; they’re far more likely to say they’re “learning painting” than to [...]
Narrative Painting: Guillermo Lorca’s Painted Operas
By David Molesky The Chilean artist Guillermo Lorca (b. 1984) and I first met years ago at the master painter Odd Nerdrum’s farm in southern Norway. Initially he struck me as a South American James Dean, handsome [...]
