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RECENT ARTICLES
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The Roots of the Modern Still Life
Prior to the latter half of the nineteenth century, the “official” academic channels of professional painting considered still life to be at the bottom of the totem pole. It didn’t have the heroic content of [...]
Art is a Hope Machine
“The object isn’t to make art, it’s to be in that wonderful state which makes art inevitable.” -Robert Henri Define art however you like, but the act of making it is a gesture of hope. [...]
Out of the Cave
Look too long at Cesar Santos’ newest paintings and you risk feeling something akin to those myths and fairytales where someone who’s enjoying a meal is told they’ve been unknowingly eating human flesh. Milan’s gallery [...]
Sorolla in the Spotlight
Disciple of light, master of color, portraitist to presidents and kings, Joaquín Sorolla (1863–1923) sits high in the pantheon of painterly realists of any age. In 1884, his first large painting was acquired by the Spanish government. [...]
Seeds, Cellos, and Guns
“The artist must work so hard, so long, that a brain develops and lives, all of itself, in his fingers …. The artist must not think of critical rewards or money he will get for [...]
Vermeer’s Geographer
In Jan Vermeer’s great painting, The Geographer, of 1662, we have a paradox: a wanderer’s spirit suspended in the confines of an interior. Vermeer is forever painting light coming through windows, but in this painting, [...]
