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RECENT ARTICLES
LOREM IPSUM DOLOR SIT AMET, CONSECTETUR ADIPISICING ELIT, SED DO EIUSMOD TEMPOR INCIDIDUNT UT LABORE ET DOLORE MAGNA ALIQUA ETS UNSERS.
Photos are a Painter’s Best Friend (But Paint from Life Too)
Ryan S. Brown is an American painter in the naturalist tradition. After graduating BYU, Ryan went on to study classical painting in Florence, Italy, at the Florence Academy of Art, where upon graduation he won the [...]
Just Stop!
Level Up #3. STOP To get better, intermediate painters (which I count as anyone with more than, say, a dozen or so canvases under their belt) must go beyond the beginners’ basics of composition and [...]
Color, Composition and One Very Large Couch
English Pre-Raphaelite Albert Joseph Moore, A.R.W.S. (1841-1893) painted “Apples” (above) in 1875. Moore was a painter of the “art for art’s sake” variety; he sought classical beauty first and foremost, avoiding strong statement or deeper meaning. [...]
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The Silence of Winter
“Snow reveals color much better than other objects” — Dave Santillanes If we are willing to sit with it for a minute and meet it with something of our own memories and imaginings, the painting [...]
Make Way for Harriet!
Women aren’t generally associated with America’s 19th century Hudson River School painters, but that’s not because there weren’t any. There were dozens. And they did it by going rogue. Women in the 19th century could [...]
Don’t Make Mud!
The title of this post about mixing colors without “making mud” is a bit deceptive. When it comes to color mixing, there’s actually no such thing as “mud.” Don't believe me? Look at the colors [...]
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