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RECENT ARTICLES
LOREM IPSUM DOLOR SIT AMET, CONSECTETUR ADIPISICING ELIT, SED DO EIUSMOD TEMPOR INCIDIDUNT UT LABORE ET DOLORE MAGNA ALIQUA ETS UNSERS.
What Makes it Great?
Vermeer stands out because he put impeccable technique at the service of a timeless humanism you must read his paintings carefully to enjoy.
Classic Compositions That Work for Any Subject Pt. 2 – The Pyramid
In a pyramidal or triangular arrangement, either forms assume the shape of a three-sided figure or visual weight is more or less evenly distributed among various elements that definitely relate to one another in a triangular, or triadic, arrangement.
How Do You Read a Painting?
If Hopper is a realist, it’s not because of his hard-won draftsmanship, but because of how he captures aspects of our experience so authentically that, in Berman’s words, “we can hardly see a tumbledown house near a deserted road or a shadow slipping across a brownstone facade except through his eyes.”
Article Archive
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How to Screw Up Your Paintings Pt. 2
Sometimes design is so subtle that it acts almost invisibly. Last time, we looked at Sorolla, where design was obvious. We looked at one of his plein air compositions not in terms of compositional formulas (e.g. [...]
Why You Should NOT Give Up
It’s part of the contract you signed when you fell in love with art.
How to Screw Up Your Paintings
Without strong design, you're wrecking your paintings without realizing it.
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