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RECENT ARTICLES
LOREM IPSUM DOLOR SIT AMET, CONSECTETUR ADIPISICING ELIT, SED DO EIUSMOD TEMPOR INCIDIDUNT UT LABORE ET DOLORE MAGNA ALIQUA ETS UNSERS.
How to Sign Your Paintings
Once upon a time an ornery, young, and unknown artist in his early 20’s named Michelangelo di Lodovico Buonarroti Simoni heard that his first big public commission was being attributed to a second-rate rival. So, [...]
The Lover’s Leap
What You Should Know The legend of the “lover’s leap” is found all over the Americas and the world. It was a particularly popular motif in one form or another during the Victorian period, peaking [...]
Bring on the Night
Carl Bretzke’s painting Diner After Dark (above), resonates with a timeless quiet. We could be anywhere in America. Maybe at first we expect a nostalgic moment of vanished drive-ins and Hopper-esque iconography, but a closer [...]
Article Archive
DOLORE MAGNA ALIQUA. UT ENIM AD MINIM VENIAM, QUIS NOSTRUD EXERCITATION ULLAMCO LABORIS NISI UT ALIQUIP.
Cad Red or Cad Red Light?
Don’t worry about matching the colors the teacher is using. If a pro is demoing a sunset, let’s say, her students often want to know exactly what red and what yellow to mix in which proportions [...]
One for Dark, One for Light, and One that’s Intense
By Guest Contributor Laura Vailati “I love to paint flowers simply because I love flowers,” says Karen Margulis. A sensitive artist devoted to painting with pastels, Karen has made simplification the key to the success of her [...]
Best Books for Artists, Part Three
Matthew Fox, “Creativity” Next in our continuing “best books for artists” series of writers who inspire, we introduce free-thinking “radical” theologian Matthew Fox. He teaches that creativity in its many forms is the beating heart [...]
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